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Out of Houston’s Heat, Emerges the Very Cool Band, Buxton

Buxton

Buxton Photo by Jacob Blickenstaff of Mother Jones Americana Music Awards, Nashville, 2016

By Christa T. for Accordion Americana In Houston, Texas, the weather is frequently hot and the tamales are even hotter. But,  those who choose to live in such a climate don’t shrink from heat, they just find cool ways to compensate for it.  One of the coolest bands to arise from steamy Houston is Buxton. Originating from LaPorte, Texas, the Americana band is comprised of Sergio Trevino on guitar and vocals, Jason Willis on guitar, mandolin and pedal steel, Chris Wise on bass, Justin Terrell on drums and the recent addition of Austin Sepulvado on guitar and piano accordion.

It’s the accordion that gives Buxton its distinctive Alt-Country/ Folk sound that draws the listener in. An accordion has a way of doing that, if one knows their way around the instrument. It’s evident that Austin Sepulvado adds the elements of sweetness and yearning that perfectly counters and complements the vocals of Sergio Trevino. The vocal talents of Trevino along with his wistful resemblance to an iconic  era of Texas music, compelled the Houston Chronicle to award Trevino Best Male Vocalist and to award the band, Buxton, Best Folk/Americana band.

“Half A Native” is the latest offering for the band, Buxton, their first album since “Nothing Here Seems Strange“(2012). Previous works have been “Feathers 7” (2009), “A Family Light” (2008) and their first album, “Red Follows Red” (2005). “We take from a lot of different genres and present it in a way that I think is most honest for us”, Trevino says. “Half A Native is music for the search for home, the long journey to find somewhere, something or someone that makes everything fall into place.” After finding great success as a regional band, “Half A Native” was recorded in Los Angeles, a departure for Buxton, this time. It was both a business and creative decision to record the album on the West Coast and also to work with Producer Thom Monahan (Peter, Bjorn & John, Devndra Banhart and Vetiver).

As an Indie band, Buxton is seeking new musical directions, deliberately and subtly reinventing itself. “Half a Native” confirms that with each album, their true artistic identity is revealed more and more, making them one of the most interesting Americana bands to emerge in recent times.

buxton-iv

Buxton

Contact: buxtonband@gmail.com


The Legendary Buckwheat Zydeco

 Buckwheat Zydeco

Buckwheat Zydeco

By Christa T. for Accordion Americana Sad news was received about Buckwheat Zydeco. He passed away on September 24, 2016 from cancer. Stanley Dural, also known as Buckwheat Zydeco, will be greatly missed.  To mark his passing, I am running the following article that I previously posted  on this site, September 2015. Rest in peace.

As a young child growing up in Lafayette, Louisiana, Stanley Dural, Jr. was said to look like the Little Rascal’s character “Buckwheat” in the Our Gang comedy series filmed during the 1930’s. This whimsical image was to stick with him his entire life as a professional musician. Drawing from his musical roots, the artist who became known as Buckwheat Zydeco,has shown that he is not afraid to move forward and reach beyond the Zydeco traditions to become a legend in American music.

Zydeco music evolved from the French speaking musicians who played at house dances who blended blues, rhythm and blues and the music of the indigenous people of southwest Louisiana. Stanley did not start out as a Zydeco artist, but he continuously worked as an organist from the late 1950’s throughout the 1960’s and well into the 1970’s. Dural concentrated on rhythm and blues, backing well known acts such as Joe Tex, Clarence “Gatemouth” Brown, among many others. As a mature musician in 1976, he agreed to be hired as a backing organist for Zydeco pioneer, Accordionist Clifton Chenier and his Louisiana Red Hot Band.  It was the turning point in his career because it was through this professional relationship that Dural came to be, like Chenier, proficient on the piano-accordion. Stanley Dural, Jr. then recast himself as a Zydeco musician and formed his own band, Buckwheat Zydeco and debuted with One for the Road in 1979. Since then, Dural and his band have become one of the most renowned Blues and Zydeco acts. Buckwheat Zydeco is distinguished as being among the few Zydeco artists to find mainstream success in the music industry and he is the only accordionist of any genre to ever reach that level of recognition in recent times in America.

Throughout three decades, Buckwheat Zydeco has performed and toured extensively around the world. They have also performed at the 1996 Summer Olympics closing ceremonies, and for both of President Clinton’s inaugurations. Buckwheat Zydeco has performed and recorded with major names in the business such as Eric Clapton, Bono and U2, The Boston Pops Orchestra, Paul Simon, Keith Richards, Robert Plant, Willie Nelson, Mavis Staples, Ry Cooder and Los Lobos.  The band has also appeared on television numerous times and was chosen by Jimmy Fallon for his final show, Late Night with Jimmy Fallon. They have  appeared on Late Night with David Letterman, The Today Show, MTV, BET, CNN and have been featured on news programs on NBC, CBS and National Public Radio. Buckwheat Zydeco has appeared numerous times at the New Orleans Jazz and Heritage Festival, as well as the Chicago Blues Festival, the Newport Folk Festival, the Montreux Jazz Festival and countless major music festivals and venues across America.

Nominated several times for the Grammy Award, Buckwheat Zydeco won for ‘Best Zydeco or Cajun Album” for Lay Your Burden Down in 2010. They also received an Emmy for music performed in the CBS television movie Pistol Pete: The Life and Times of Pete Maravich. The music of Buckwheat Zydeco has been  featured in the movies, The Waterboy, Fletch Lives, Hard Target, Ya La Tengo and Bob Dylan’s I’m Not There. The band also made an appearance and performed in The Big Easy, a movie that is credited with revitalizing Zydeco and Cajun music in America. Buckwheat Zydeco’s version of the classic “Cryin’ in the Streets” is featured on the album for Hurricane Katrina, Our New Orleans: A Benefit Album for the Gulf Coast.

Because of his commitment to promoting Louisiana cuisine, Dural wrote and performed the theme music for the PBS television series, Pierre Franey’s Cooking in America. Out of that interest, in 2014, Dural and his long time manager and collaborator, Ted Fox, premiered the You Tube documentary series “Buckwheat’s World”. The online show focuses on the music and colorful lifestyle of the artist, Stanley Dural, Jr. who became known as Buckwheat Zydeco.  Dural and Fox have shown their skill as writers and commentarians by becoming bloggers for The Huffington Post in 2014, with their first post, “Mardi Gras Is The Flip Side of the Blues”.

http://www.nbc.com/the-tonight-show/video/jimmy-the-roots-and-buckwheat-zydeco-on-a-night-like-this/2745768

https://www.youtube.com/c/buckwheatsworld

Buckwheat Zydeco

http://www.buckwheatzydeco.com


Ami Saraiya & The Outcome

Ami Saraiya II

Ami Saraiya

By Christa T. for Accordion Americana It has long been a challenge to bring the piano accordion to a new generation of Americans. But, by using the instrument more and more, Alternative musicians, or artists who write and perform outside of the present musical mainstream, are giving the accordion  a lot of exposure.  Artists such as Ami Saraiya and her band, The Outcome, are examples of this growing trend of young musicians who seek different ways to express their own unique style in a new age.

The piano accordion is” like having a symphony in your hands” Ami Saraiya says. “I picked it up and I was in love. It’s very rhythmic, and since I grew up playing piano, it came very easy.”  Trained as a classical pianist, Ami was a former music major at Indiana University. “I started playing piano when I was 5, and when I was growing up I was always singing and in choir….but the classical world was not for me. I joined a band when I was 19 and found my niche.”” Ami was the lead vocalist of pop collective Radiant Darling and R&B band Pelvic Delta, and has toured locally and regionally throughout the U.S.

Ami Saraiya

Ami Saraiya

Coming out of the Chicago music scene, the songs of Ami Saraiya reveal a distinct part of that American urban aesthetic, and reveal to us how she experiences her world. With original songwriting and instrumentation, Ami interprets it through a wide range of instruments.  Along with her voice, she performs with  the accordion, guitar, violin,  and xylophone and other instruments, as well. Whether with the roar of any Pop icon or the soft and sultry style of a chanteuse, her live performance is captivating. Amy Saraiya always sings and writes with  deep conviction, while she totally “shreds” on the accordion.

As a songwriter, “I create what I feel. I start with an idea and do lots of work out from there, but it’s just raw perspective — I’m not trying to create something in particular. What I do comes from the heart, and the hard work comes in finishing what you started. Ideas come and they aren’t always understandable, but I manage to find some transcendence.”

 Ami Saraiya and The Outcome received excellent reviews with Saraiya’s first album under her own name entitled, “Archeologist” in 2009. She followed up with an EP entitled “Purging” which critics thought dark, “surrealistic” and “the best tracks she’s ever produced”(Joseph Montes, Loud Loup Press). With her second album, released in 2012, “Soundproof Box,” the singer/songwriter/bandleader “showcases the performer’s creative energy and intensity….vintage cabaret sound is drama in bold relief, swinging from playful to maudlin in a single measure.” (Jessica Hopper, The Chicago Tribune).

 

The Outcome, including Marc Piane (upright bass), Ronnie Kuller (violin), Gary Kalar, (electric guitar), Shirley Caen Rogiers (vocals), and Courtney Glascoe (vocals).

Ami Saraiya & The Outcome

Ami Saraiya & The Outcome

http://www.amisaraiya.com


Making Music, Texas Style: Debra Peters and The Love Saints Band

Debra Peters

Photo by Jay Hudson

By Christa T. for Accordion Americana   Austin, Texas is home to one of the most diverse musical landscapes in the United States. The accordion has always had a role in the local music scene from the advent of the town’s German Beer Halls in the 1800’s, through the evolution of Tex-Mex music. Because of this presence, the accordion is alive and well represented in Texas music, today.

One of the most popular and respected Texas accordionists is Debra Peters. For the last 24 years, she has consistently performed in Austin and all around Texas with her band, Debra Peters and The Love Saints Band. Debra is a career singer, songwriter, accordionist, pianist and session musician. Also, well-known in Austin as a teacher of the accordion, she is an entrepreneur, producing and marketing her own music recordings and accordion educational videos.

Women musicians who have their own bands are rare. But, a woman musician with the professional longevity that Debra Peters has shown, are all the more rare. Monthly, for the last 2 decades, Debra Peters has appeared at the legendary Broken Spoke in Austin.  Also, throughout that time, Debra and her band have toured Europe, Japan, Mexico, North America and Hawaii.  Debra Peters and The Love Saints Band were featured at the International Accordion Festival held in San Antonio, Texas. They are scheduled to appear at the upcoming 2016 Texas Folk Life Festival in Austin.  This marks the 32nd anniversary for Texas FolkLife, which was started in 1984.  The festival presents and honors the diverse cultures and living heritage of the Lone Star State.  Tex-Mex and Zydeco/Cajun music are represented in The Love Saint’s Band’s repertoire along with Americana, polkas and other dance music. The daughter of a Canadian railroad engineer, Debra enjoys performing a selection of railroad songs, as well.

As an accordion educator, Debra has presented workshops every year for the past 12 years.  ” I am a lifelong music student as well as a lifelong music teacher. Around every corner, there is always something more and great to learn!” Her vision of producing and marketing her own accordion educational videos came out of a workshop held in Las Vegas. Upon viewing an accordion lesson video done by another accordionist, Debra remembered that, as a child, she was introduced to the piano by a lesson video on VCR. At that moment, she determined that she would create her own lesson videos. “It was almost like I was stung by a bee!” Immediately, she went to work to produce an educational video and, in 2005 created The Blues, Chords and Chops. The reaction from her students was positive and in 2007, Debra created The Blues ,Chords and Chops, Volume II.  Since then, she has produced and marketed other video accordion lessons, including one that focuses on bass patterns for the Stradella bass keyboard, 25 Bass Patterns. It was a lot of work for the already busy musician to “write and present the lessons, film and edit them, design the covers, produce the actual copies, set up the mail system, build a website, and do the marketing.” She persevered, and today sales from her web site are healthy and she has plans for more lesson videos.

Debra Peters

Debra Peters

Her enthusiasm for the accordion and her passion for people is evident. Debra strives to encourage others to play the accordion, especially girls and other women. A hardworking professional musician, Debra Peters is inspired, not only to entertain, but to empower others who seek to become skillful accordionists locally and in places far away from her Austin, Texas home. Update: Debra Peters and The Love Saints Band have been invited to participate August 20-21, 2016 at the Cotati Accordion Festival, Cotati California.

www.debrapetersmusic.com

Love Saints Music, Austin Texas USA


Boogie Woogie and Blues Master, Christian Dozzler, Accordionist

Christian Dozzler

Christian Dozzler

By Christa T. for Accordion Americana Those folks who know Texas and know the Blues probably know that Christian Dozzler plays a sultry Blues piano and organ and a mean harp. What they may not know is that Dozzler, also known as “Vienna Slim”, is a master of the Boogie Woogie and Blues and also an enormously talented accordionist.

Standing 6 feet 7 inches, Dozzler is a shy man. When he was just 13 years old, he was captivated by the Boogie Woogie from the first time he heard it on the radio. He immediately quit his classical piano lessons and from then on, made it his business to master the Blues and the Boogie Woogie, and to make it his life’s work.

In his first band, Christian played guitar and harmonica as well as the piano and also sang. In a few years, he added the piano accordion.”The accordion is often misunderstood by people, because it appears in almost every folk music in the world. My influence, of course, is the Zydeco music. But I think it is a great instrument to solo on, I often use saxophone or organ phrases in my accordion solos, I think. I come from a rather puristic blues attitude, but my taste has opened up to a much wider spectrum over the years. While many blues musicians of my generation, especially here in the US, have started with rock music and then went back to the roots, I actually started with 1930s piano blues and boogie woogie and then chronologically went up in the blues history with the styles I listened to and tried to play…..But I myself try to play a wide variety of different styles within the blues framework, write much of my own material and avoid overplayed standards that everybody else plays too. In my choice of songs that I cover, I look for the hidden gems: great songs that are not so well known.”

For nearly 10 years until 1993, Christian was the co-frontman of one of Europe’s few blues bands, the reknowned Mojo Blues Band. He left to form his own band, Blues Wave, and for 7 years, toured with them nationally and internationally. He produced his first solo album “All Alone and Blue” and  today, Christian Dozzler tours Europe and North American, performing mostly as a solo act.  He has since moved permanently to the U.S. from his native Austria and has made the Dallas/Ft. Worth, Texas area his home since 2000.

Christian Dozzler was nominated for the Blues Critic Awards in 2008, for “Best Blues Keyboardist” (Piano, Organ, Accordion,Harmonica and vocal). He has been featured on over 40 cd’s and has met and played with many Blues greats and legends. Because of this exposure throughout his career, his musical influences are broad. “But out of the probably 5,000 or more gigs that I’ve played in my life it is hard to pick out a special one. It is always an honor to play with a legend or somebody you have admired for many years, that’s for sure… But I like jamming with other musicians after a festival, or sitting in with other bands that I know and like….. maybe the most fun I had was at an organized jam at the Salmon Arm Festival in Canada a few years ago. It was part of the program and they just sat 6 or 7 individual musicians on a stage in a half circle and watched what happened.”

About being a musician, Christian reflects, “…I like to listen and observe, in every life situation. And that is very important (as a professional musician) in a band context as well. You have to listen to what everybody in the band is doing and intuitively react to it or even anticipate it. How you accompany a singer or soloist is just as –if not more- important than what you do on your own solo. That’s the biggest problem with a lot of “wannabe” musicians, they don’t listen to what’s going on stage, and they just concentrate on themselves. Most of the greatest musicians, at least the ones that I respect, are also good accompanists. Because they do whatever the song needs, not what boosts their ego.”

He says that his experiences in America, as a musician, are far different than abroad. “(In Europe)..there is a respect for the artist on stage. In the U.S.…there is free live music on every corner, blues is an every-day thing that everybody grew up with, and most people cannot even distinguish between good and mediocre musicians or real and fake. They want to be entertained, dance and have a good time, and often don’t even care who the person on the bandstand is. So that’s a completely different approach for the musician…”

Christian Dozzler has seen many changes in the music industry since he became a professional musician. He says, “The CD/album sales have gone down drastically over the last decade or so. It used to be that buying an album was the only way for you to listen to the music at home. Now you can download it, listen anytime on internet radio, watch it for free on YouTube, you don’t need to necessarily own a product anymore. And especially in a niche market like the Blues, this has the effect that it almost makes no sense anymore to produce a CD. In the 90s I used to break even with the production costs within 6-8 months, now it might take 2 years or more.”

But, Christian says that there are more changes underway, “The particular problem that Blues and also Jazz seem to have worldwide is also that our audience is growing too old –like we are. There are not enough young people coming up who are interested in our style of music to fill the gap.” He adds, “I can only hope that more young people, in spite of all the distractions from the internet, cable TV and superficial pop culture, would get a chance to discover the heartbeat of the blues.”

Christian Dozzler II

Christian Dozzler

http://www.dozzler.com

All quotes from “Christian Dozzler: Two Meters of Blues” by Michalis Limnios BLUES @ GREECE


C.J. Chenier, Louisiana Accordionist

C.J._Chenier

C.J. Chenier

John Mayall had no goal other than “to make a normal blues album” , which is what the veteran artist and bandleader has done over the course of his 51-year recording career. And if you start adding it up, after 50 years, it’s obviously quite a career.” Mayall recorded “A Special Life,” his first release in five years for Forty Below Records, during a three-day session with his band during November at Entourage Studios in North Hollywood. It features four originals — one written by band members Greg Rzab and Rocky Athas — plus covers of songs by Jimmy Rogers, Albert King, Sonny Landreth and others. Mayall’s band is also bolstered by accordionist C.J. Chenier on several tracks, including a version of his father Clifton Chenier’s “Why Did You Go Last Night” that kicks off the album. “That was one of the songs I’ve always had a fondness for,” Mayall says. “In fact, we used to play it when Jack Bruce was in the band, so it goes that far back, and it’s far less Zydeco than straightahead blues. I thought it was a perfect time to approach C.J.; his father wrote and sang the song originally, and he was available, so I just contacted him. I hadn’t met him before, but he flew in for the day and we nailed it. It was a really great experience.”

C.J.  Chenier grew up in the 1960s, in the housing projects of his native Port Arthur, Texas, where he was aware of, but not exposed to his father’s music as a young child.

Upon first listening to his father’s music, Chenier thought all the songs sounded the same. But he eventually began to appreciate and master his style, as he later joined and then took over his father’s band and career.  He has since played such venues as the New Orleans Jazz & Heritage Festival, San Diego’s Street Scene and Milwaukee’s SummerfestPaul Simon first heard Chenier in 1990, and featured him on the The Rhythm of the Saints album, and that year’s ‘Born At The Right Time’ tour. In 1992 Chenier played accordion on “Cajun Song”, a track on the Gin Blossoms‘ album, New Miserable Experience. 1992 saw Chenier featured with the Red Hot Louisiana Band on the PBS music television program Austin City Limits.[3] By October 1994 Chenier was signed by Alligator. His debut release there was Too Much Fun, named the next year as best zydeco album of 1995 by Living Blues magazine. In 1995, Chenier gained his widest audience to date with television appearances on the Jon Stewart Show and CNN. His 1996 appearance at the New Orleans Jazz & Heritage Festival was featured in a segment by the VH1cable music television network, as well as by Entertainment Weekly. Chenier and the band also appeared that year at the Austin, Texas, 1996 SxSW Music Conference, a special event for Alligator Records’ 25th anniversary. Chenier won the 1997 Living Blues’ Critics’ Poll Award and also an AFIM Indie Award for best zydeco album, for his next release, The Big Squeeze. In 2001, Chenier played in front of 60,000 fans at the Chicago Blues Festival.


The Enigmatic Crystal Bright and The Silver Hands

Crystal Bright III

Crystal Bright (Photos by Christopher Lubinski)

By Christa T. for Accordion Americana Sometimes a performer emerges with the potential to completely redefine our impression of musical performance using the piano accordion. Crystal Bright has shown she has courage to dare to push the envelope a little farther, dig a little deeper and forge a path to go beyond what is merely expected and acceptable.

Crystal Dawn Bright was born in Annapolis, Maryland, in 1981 and raised in Mount Pleasant, North Carolina. She began piano lessons at the age of seven, and while growing up, performed in musicals and studied drama. After earning her B.A. from the University of North Carolina at Greensboro and M.A. from Florida State University, Crystal traveled, studied and worked from Spain to Yellowstone. Something that she had previously read resonated with Crystal. It was a book that she credits as influencing her creative path, and one that continues to motivate her today, Clarissa Pinkola Estes’, Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype.

She deliberately sought to absorb all that she could that is magical and wild in the world, inspired by thoughts such as these:

  • “Go out in the woods, go out. If you don’t go out in the woods nothing will ever happen and your life will never begin.”
  • “I hope you will go out and let stories, that is life, happen to you, and that you will work with these stories from your life– not someone else’s life–water them with your blood and tears and your laughter till they bloom, till you yourself burst into bloom. That is the work. The only work.”
  • “Be wild; that is how to clear the river. The river does not flow in, polluted, we manage that. The river does not dry up, we block it. If we want to allow it its freedom, we have to allow our ideational lives to be let loose, to stream, letting anything come, initially censoring nothing. That is creative life.”
  • “All the ‘not readies,’ all the ”I need time,’ are understandable, but only for a short while. The truth is that there is never a ‘completely ready,’ there is never a really ‘right time.” Clarissa Pinkola Estés, Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype

Crystal returned to Greenboro, North Carolina, and in 2010 she formed her band, Crystal Bright and The Silver Hands. She named her band after a fairy tale by The Brothers Grimm, called ‘The Handless Maiden’. Crystal Bright said, “it is about her losing her hands and gaining them back in the end, representing her coming into her full creative and soulful self which I felt like I was doing then, and am still doing.” Crystal adds, ” I had written these songs and I needed help in creating a band and taking my music to the next level. The Silver Hands helped me create something bigger than my own hands could.”

A multi-instrumentalist in the truest sense, Crystal performs with a vast assortment of ethnic and exotic instruments, including a musical saw. She has shown that she can captivate an audience with her vocal ability and style, described as operatic and ethereal. Crystal utilizes the piano accordion; taps into and takes full advantage of the edgy, noir quality that the instrument can evoke, to effectively convey a sense of mystery,  and of darkness and light.

Crystal Bright I

Crystal Bright

Since forming her band, Crystal Bright has performed with the North Carolina Symphony, winning their Triangle Talent Search. She has earned awards for her singing performance and musicianship, songwriting, best music video ,”Drowned Out”, as well as international recognition. In 2010, the Broach Theatre in Greensboro, N.C. featured Crystal Bright’s musical theatre production, “Illuminating and Transcending the Shadow”, which she wrote, produced and directed, and in which she starred. It featured her band, The Silver Hands and a cast of sixteen costumed actors.

As a performance artist, Crystal acted, sang and performed with musical instruments, collaborating with mixed media sculptor, Grey Pascal in “20/20: Filters of Light and Insight”(2010) “Downward Spiral” (2011). Crystal Bright also co-produced and starred in her musical concert, “Bones and Lilies” along with members of the Flowjo Family Circus. Two performances featured acrobatics, interpretive dance and circus arts. The events took place at The Flowjo (2012) in Carrboro, North Carolina. A visual album by Crystal Bright and The Silver Hands, “The Absolute Elsewhere”, was performed at the Carrboro Arts Center (2014) and received positive reviews. Most recently, Crystal Bright and The Silver Hands performed an original, live score to the classic silent movie, The Cabinet of Dr. Caligari (2015 & 2016)

With her highly intuitive determination, Crystal takes her audience along the enchanting path that she has chosen to fashion. The direction that she will take is only beginning to unfold as Crystal Bright continues to evolve as a brilliant star

Permanent members Crystal Bright and The Silver Hands
Crystal BrightVocals, accordion, keyboards, concertina, adungu, bombo, zheng, piano, guitar, vihuela and musical saw

Current rotating members:
Aaron Bond – Double bass
Sanders Davis – Double bass
Jeremy Denman – Trumpet
Jeremy Haire – Acoustic guitars
Robbie Link – Double bass
Seth Oldham – Drums
Bradley Spencer – Mandolin

Crystal Bright and The Silver Hands has performed at over 500 concerts including:
South By Southwest
Savannah Stopover
FloydFest
DragonCon
Midpoint Music Fest
The Steampunk World’s Fair,
Shakori Hills

Releases:

June 2010: Crystal Bright & the Silver Hands

March 2012: Muses & Bones

April 2013: Live on All Hallows’ Evening’

May 2015: The Absolute Elsewhere 

 

Crystal Bright II

http://www.crystalbrightandthesilverhands.com