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The Magnetic Adrian Dolan of The Bills

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Adrian Dolan

Adrian Dolan is a multi-instrumentalist and composer perhaps best known for his work with the award-winning roots ensemble The Bills over the past 13 years. His skills as an accordionist, violinist, fiddler and pianist have landed him on stage with some of the best in the business, and along with a passion for composing, educating and leading a new generation of folk music into the 21st century.

Classically trained on piano, violin, and viola, Adrian began composing at a young age, and performing professionally in his mid teens. After taking up fiddling  he was soon putting his piano skills to use as an accompanist, culminating with guest performances with the Victoria Symphony, and summer festival stages around the province.

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After Adrian joined The Bills at age 17, the band became one of the foremost touring groups playing over 160 shows annually in Canada, the U.S., the UK, and Europe. Their 2002 and 2004 releases both garnered JUNO Award nominations, Western Canadian Music Awards, and received worldwide airplay. Music videos for two songs from “Let Em Run” have been featured on CMT Canada. They’ve played for countless radio broadcasts, including CBC (This Morning, Q, Canada Live), Radio-Canada, BBC Scotland, Radio Sweden, NPR, and Woodsongs Old-Time Radio Hour. The Bills continue to tour in support of their latest release “Trail of Tales” (2016).

For the past 10 years Adrian has been honing his creative and technical prowess in the studio as a producer and engineer, working with an eclectic array of artists over the years spanning the folk and Bluegrass realms, into country, garage rock, storytelling, jazz, and comedy. Adrian’s skills as an arranger have been sought out in many projects to expand the sonic landscapes to include live string sections. As a multi-instrumentalist he has been frequently called upon for session work in Vancouver, Victoria, and beyond

Currently, Adrian maintains a busy schedule of performing, arranging, producing, sound engineering, and teaching. He frequently travels to instruct at traditional music workshops across Canada, and has also served as Musical Director for the BC Fiddle Orchestra. Adrian currently performs with Ruth Moody (The Wailin’ Jennys), and has also toured and recorded with a wide array of artists including BCCMA winner Ridley Bent, The Arrogant Worms, Irish legends The Chieftains, Barney Bentall, Old Man Luedecke, Raffi, and Cape Breton’s Rankin Sisters. He recently was hired by Musical Director Bill Henderson to perform viola in the band for the world premiere production of Bruce Ruddell’s “Beyond Eden” which ran for 49 performances in Vancouver and Calgary as part of the Cultural Olympiad in 2010.

Adrian has served as concertmaster for Bach on the Rock Chamber Orchestra, and the Sooke Phiharmonic Chamber players under the direction of Norman Nelson, as well as performing on both viola and violin with the Victoria Chamber Orchestra and the Victoria Civic Orchestra.

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The Bills

http://www.adriandolan.com


The Revolutionary Cory Pesaturo

 

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The brilliant Corey Pesaturo

By Christa T. for Accordion Americana If Cory Pesaturo has a “mission statement”, it likely states that this American jazz performer intends to take on the world using, as his arsenal, the piano accordion.  With his “mad scientist as musician” persona along with his startling talent, Cory Pesaturo is one of the most amazing piano accordionists in the world, and has earned the credentials to prove it. In fact, Cory Pesaturo is probably, to date, the most brilliant accordionist that America has ever produced.

Born in Rhode Island, Cory Pesaturo was a prodigy who began studying the instrument at the age of 9, and promptly was performing as a professional by the age of eleven.  At the New England Conservatory of Music, Cory was accepted as a candidate to major in, and then graduate with a degree in accordion, the first to be awarded at the prestigious conservatory in Boston. He didn’t waste any time after graduation, and competed in successive accordion competitions around the world. It is unusual for an American accordionist to win a European championship, but to do so with material that is totally improvisational is unheard of, at that level. Also astounding is the fact that Cory Pesaturo is the only accordionist in the world to win all three top World Championships for acoustic accordion, digital accordion, and jazz Accordion. Since then, he has recorded, performed and toured with renowned jazz musicians such as Wynton Marsallis, George Garzone and Mike Renzi among many others.

One of the ways that Cory Pesaturo sets himself apart from other accordionists is his “visionary thinking of how the accordion should be used, played, and presented in the modern music world.” Cory created the first vinyl skinned Accordion with a connected lighting system, and the one which airport security would not allow on the plane he boarded to compete in the Digital World Championship in Finland. He managed to find a loaner, and win the competition. He is known in the accordion world as an outspoken rebel and tries to present a somewhat counterculture image for players of the instrument, by inventing the stage name “CPez” and an image more related to those in his own generation. Cory Pesaturo understands, challenges and successfully defies conventional notions about the piano accordion in America. These notions, more than fifty years out of date, are constantly reinforced and have been proven counterproductive for the popularity of, and respect for the instrument. He is determined to reinvent everything about the piano accordion, including the instrument, itself.

Cory Pesaturo has performed for President and Mrs. Clinton at the White House on 4 different occasions. The first time at the age of twelve, he was the youngest person ever to perform at a White House State Dinner. He has had such a close, working relationship with the Clintons that he was featured in Mrs. Clinton’s book, “An Invitation to the White House”. Cory has since performed at seven other events for Bill and Hillary Clinton and continues to keep in touch with the couple, as shown by fourteen letters he has received from them. It’s evident that they have been “impressed and inspired by his talent” since he was twelve years old, as is stated in one of their letters.

With a highly competitive,”Type A” personality, Cory is intensely interested in competition sports and, in particular, auto racing. Because his interest is so well known in the auto racing world,  Cory was asked to perform at both the Italian Grand Prix as well as the German Grand Prix. His music is regularly featured on Formula One broadcasts on the SPEED and FOX channels and Cory also has an ongoing musical relationship with the radio station, 98.5, The Sports Hub in Boston. Cory Pesaturo has composed the music for “The Flying Lap” for his friend, auto racing legend Peter Windsor, and is currently working on a book about Formula One auto racing that he hopes will change the way people look upon the history of the sport and its champions.

Because artists and musicians are curious and inventive, some have abilities on many levels and may dabble in other areas and go on to develop other expertise. Cory is just such an individual and is very interested in statistics and meteorology. In addition to being a wonk about sports statistics, he is also an “armchair” weatherman. So serious about his hobby is he, that jazz columnist James Worsley noted, “Cory…has taught himself to forecast weather….he keeps records of weather events that weathermen rely on…..”. It’s clear that he looks to the weather for inspiration for his music, with albums entitled, “Crosswinds”, and “Change in the Weather”. With the revolutionary Cory Pesaturo in our midst , we will certainly experience a welcome change of climate for the piano accordion in America.

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“C Pez”, Corey Pesaturo

corypesaturo.com/


Corey Ledet & His Zydeco Band

 

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Corey Ledet

COREY LEDET KICKS UP HIS GAME WITH “STANDING ON FAITH”

Parks, LA — CPL Records proudly announces the release of Grammy-nominated Zydeco innovator, singer/songwriter/accordion player COREY LEDET & HIS ZYDECO BAND’s “STANDING ON FAITH” (his ninth album) on MARCH 3, 2017. “STANDING ON FAITH” was co-produced by Cecil Green and Jesse Delgizzi and recorded at the Green Room in Ville Platte, LA. Joining Ledet (Accordions/Drums/Vocals/Washboard) in the studio were Delgizzi (Guitar/Bass/Moog/Vocals) and Green (Keyboards).

Ledet injects pop, funk, rhythm-and-blues and reggae on “STANDING ON FAITH”.  In doing so, he continues to work from the genre-splicing template set by such zydeco pioneers as Clifton Chenier and Stanley “Buckwheat” Dural. After opening with the funky, Prince-like “Intro,” “STANDING ON FAITH,” continues with the upbeat zydeco-pop instrumental, “Love Never Felt So Good”; stays positive with the album’s zydeco-pop title song; glides to breezy R&B balladry for “Take Me There”; plots a reggae course with the sunny “A Good Day”; and slips into the sleek, contemporary R&B of “Street Light.”

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Corey Ledet

“I don’t like to stick with something that’s easy, or just the way it’s supposed to be,” Ledet says. “I like to explore and experiment. That makes music fun. It’s like cooking. When you’re cooking a recipe, you say, let me try this with that, let me see if this works.”

During most of his 14 years as a band leader, Ledet based his repertoire on the foundation set by Clifton Chenier and other zydeco pioneers. But now he’s moving beyond the zydeco classics. “I can do that all night long,” Ledet says. “But I can do other things as well. Traditional zydeco, nontraditional, pop. I can go any which way I want. This is my way of creating a sound that fits me.”

Blending styles is challenging for Ledet, but he likes the challenge. But before he became a music mixologist, he learned the zydeco basics. “I did all the studying and research I could do,” he says. ‘It took a long time. There’s a lot to learn about zydeco and Creole music. But it’s important to know your background before you learn anything else. After I finished studying all of that, I learned other stuff that interested me. Pop music, classical music. I even listened to Frank Sinatra. People laughed at me, but I listened to anything that’s got notes.”

On the bandstand, Ledet mixes songs originally recorded by pop and country artists into his show: Bruno Mars, Prince, Michael Jackson, Jason Aldean, Darius Rucker, reggae fountainhead Bob Marley. Again, Chenier served as a model. “He mixed the old French music with rhythm-and-blues,” Ledet says. ”Ray Charles and Etta James and Louis Jordan were of Clifton’s time. That worked for him. I’m applying Cliff’s recipe to modern-day times, my way.”

At 35, Ledet brings 25 years of bandstand experience to the stage. He turned pro at 10, playing drums in his native Houston for Wilbert Thibodeaux and the Zydeco Rascals. Ledet came naturally to the drums, his first instrument. His late grandfather, Buchanan ‘Tbu’ Ledet, worked as drummer for Clifton Chenier. Although Ledet’s grandfather died in 1978, three years before his birth, the grandson idolizes his grandfather. Chenier’s longtime drummer, Robert Peter, followed the drumming example Ledet’s grandfather set in 1940s and ’50s.  “Cliff wanted a drummer who played like my grandfather,” Ledet says. “When you hear Robert, that’s my grandfather’s style.”

For Ledet, working with Thibodeaux and the Zydeco Rascals was like going to zydeco school. The lessons included such essential subjects as keeping the beat and, something less definable, reading audiences. “And whenever other drummers came in the venue, Wilbert called them up to the drums and let me play accordion,” Ledet remembers.

During his decade with Thibodeaux, Ledet organized some gigs on the side for himself as a front man. He officially launched his own band in 2003, after moving to his father’s hometown, Parks, Louisiana.  Many people ask Ledet why he left Houston for Parks, a town that has hundreds, rather than millions, of residents. Ledet already knew Parks well. When he was growing up in Houston, his family visited Parks during summers and for holidays and special occasions. “It was hard to leave to go back to Houston,” he remembers. “I like the city, but I like the country better. Some kind of spiritual connection.” On those family drives from Houston to Parks, the family tuned to a zydeco radio as soon as they got close enough to receive the signal. Once they reached Parks, the zydeco music never stopped. “I like all music,” Ledet says. “But zydeco is the first pick for music for me.”

Ledet paid his dues after he launched his career as a band leader from Parks. “I had to build everything from nothing, make my name, make my rounds, prove myself,” he says. “Playing to chairs and tables, paying my band members 10 bucks or five bucks for the night. For a long time, I didn’t make anything.”  Ledet persevered, building his music career from the muddy southwest Louisiana ground up. Highlights include his 2013 Grammy nomination for “Nothin’ But the Best,” a collaboration with fellow zydeco musicians Anthony Dopsie, Dwayne Dopsie and André Thierry. “Oh, man, when that happened, I was like, ‘Is this for real?’ Because never in a million years did I think I’d be sitting in the same row at Grammys with Taylor Swift. To come from ground zero to that, lets me know I’m doing something right. I’m kicking up my game by making records like ‘Standing On Faith.’ I want to go even further and do bigger and better things.”

Corey Ledet keeps one foot firmly in the tradition while exploring surrounding influences in order to create the best of both worlds, and is able to infuse old and new styles of Zydeco into his own unique sound. “STANDING ON FAITH” presents the best view yet of the Grammy-nominated Ledet’s expansive talent.  Corey Ledet has recently signed an exclusive representation deal with Mitchell & Matt Greenhill’s FLi Artists: fliartists.com/corey-ledet-zydeco-band.

Catch COREY LEDET & HIS ZYDECO BAND (Corey Ledet – Accordion/Vocals, Jesse DeGizzi – Bass/Vocals, Julian Primeaux – Guitar/Vocals, Gerard Delafose – Drums, Statton Doyle – Sax and Nicholas Victorian – Washboard) on tour Spring 2017 in support of his new release.

UPCOMING TOURDATES INCLUDE:

January 28, 2017        Mt. Pleasant, MI  “26th Annual Night Of Louisiana”/CENTRAL MICHIGAN U-JOHN G. KULHALVI EVENTS CENTER

February 25, 2017 Cranston, RI            “25th Annual Mardi Gras Ball”/RHODES ON THE PAWTUXET

May 5, 2017             Breaux Bridge, LA “Crawfish Festival”

May 25, 2017            Shreveport, LA    “Mudbug Madness”

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http://www.coreyledet.com

CONTACT:    Karen Leipziger/KL Productions

   klpzgr@earthlink.net


Out of Houston’s Heat, Emerges the Very Cool Band, Buxton

Buxton

Buxton Photo by Jacob Blickenstaff of Mother Jones Americana Music Awards, Nashville, 2016

By Christa T. for Accordion Americana In Houston, Texas, the weather is frequently hot and the tamales are even hotter. But,  those who choose to live in such a climate don’t shrink from heat, they just find cool ways to compensate for it.  One of the coolest bands to arise from steamy Houston is Buxton. Originating from LaPorte, Texas, the Americana band is comprised of Sergio Trevino on guitar and vocals, Jason Willis on guitar, mandolin and pedal steel, Chris Wise on bass, Justin Terrell on drums and the recent addition of Austin Sepulvado on guitar and piano accordion.

It’s the accordion that gives Buxton its distinctive Alt-Country/ Folk sound that draws the listener in. An accordion has a way of doing that, if one knows their way around the instrument. It’s evident that Austin Sepulvado adds the elements of sweetness and yearning that perfectly counters and complements the vocals of Sergio Trevino. The vocal talents of Trevino along with his wistful resemblance to an iconic  era of Texas music, compelled the Houston Chronicle to award Trevino Best Male Vocalist and to award the band, Buxton, Best Folk/Americana band.

“Half A Native” is the latest offering for the band, Buxton, their first album since “Nothing Here Seems Strange“(2012). Previous works have been “Feathers 7” (2009), “A Family Light” (2008) and their first album, “Red Follows Red” (2005). “We take from a lot of different genres and present it in a way that I think is most honest for us”, Trevino says. “Half A Native is music for the search for home, the long journey to find somewhere, something or someone that makes everything fall into place.” After finding great success as a regional band, “Half A Native” was recorded in Los Angeles, a departure for Buxton, this time. It was both a business and creative decision to record the album on the West Coast and also to work with Producer Thom Monahan (Peter, Bjorn & John, Devndra Banhart and Vetiver).

As an Indie band, Buxton is seeking new musical directions, deliberately and subtly reinventing itself. “Half a Native” confirms that with each album, their true artistic identity is revealed more and more, making them one of the most interesting Americana bands to emerge in recent times.

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Buxton

Contact: buxtonband@gmail.com


Ami Saraiya & The Outcome

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Ami Saraiya

By Christa T. for Accordion Americana It has long been a challenge to bring the piano accordion to a new generation of Americans. But, by using the instrument more and more, Alternative musicians, or artists who write and perform outside of the present musical mainstream, are giving the accordion  a lot of exposure.  Artists such as Ami Saraiya and her band, The Outcome, are examples of this growing trend of young musicians who seek different ways to express their own unique style in a new age.

The piano accordion is” like having a symphony in your hands” Ami Saraiya says. “I picked it up and I was in love. It’s very rhythmic, and since I grew up playing piano, it came very easy.”  Trained as a classical pianist, Ami was a former music major at Indiana University. “I started playing piano when I was 5, and when I was growing up I was always singing and in choir….but the classical world was not for me. I joined a band when I was 19 and found my niche.”” Ami was the lead vocalist of pop collective Radiant Darling and R&B band Pelvic Delta, and has toured locally and regionally throughout the U.S.

Ami Saraiya

Ami Saraiya

Coming out of the Chicago music scene, the songs of Ami Saraiya reveal a distinct part of that American urban aesthetic, and reveal to us how she experiences her world. With original songwriting and instrumentation, Ami interprets it through a wide range of instruments.  Along with her voice, she performs with  the accordion, guitar, violin,  and xylophone and other instruments, as well. Whether with the roar of any Pop icon or the soft and sultry style of a chanteuse, her live performance is captivating. Amy Saraiya always sings and writes with  deep conviction, while she totally “shreds” on the accordion.

As a songwriter, “I create what I feel. I start with an idea and do lots of work out from there, but it’s just raw perspective — I’m not trying to create something in particular. What I do comes from the heart, and the hard work comes in finishing what you started. Ideas come and they aren’t always understandable, but I manage to find some transcendence.”

 Ami Saraiya and The Outcome received excellent reviews with Saraiya’s first album under her own name entitled, “Archeologist” in 2009. She followed up with an EP entitled “Purging” which critics thought dark, “surrealistic” and “the best tracks she’s ever produced”(Joseph Montes, Loud Loup Press). With her second album, released in 2012, “Soundproof Box,” the singer/songwriter/bandleader “showcases the performer’s creative energy and intensity….vintage cabaret sound is drama in bold relief, swinging from playful to maudlin in a single measure.” (Jessica Hopper, The Chicago Tribune).

 

The Outcome, including Marc Piane (upright bass), Ronnie Kuller (violin), Gary Kalar, (electric guitar), Shirley Caen Rogiers (vocals), and Courtney Glascoe (vocals).

Ami Saraiya & The Outcome

Ami Saraiya & The Outcome

http://www.amisaraiya.com


The Enigmatic Crystal Bright and The Silver Hands

Crystal Bright III

Crystal Bright (Photos by Christopher Lubinski)

By Christa T. for Accordion Americana Sometimes a performer emerges with the potential to completely redefine our impression of musical performance using the piano accordion. Crystal Bright has shown she has courage to dare to push the envelope a little farther, dig a little deeper and forge a path to go beyond what is merely expected and acceptable.

Crystal Dawn Bright was born in Annapolis, Maryland, in 1981 and raised in Mount Pleasant, North Carolina. She began piano lessons at the age of seven, and while growing up, performed in musicals and studied drama. After earning her B.A. from the University of North Carolina at Greensboro and M.A. from Florida State University, Crystal traveled, studied and worked from Spain to Yellowstone. Something that she had previously read resonated with Crystal. It was a book that she credits as influencing her creative path, and one that continues to motivate her today, Clarissa Pinkola Estes’, Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype.

She deliberately sought to absorb all that she could that is magical and wild in the world, inspired by thoughts such as these:

  • “Go out in the woods, go out. If you don’t go out in the woods nothing will ever happen and your life will never begin.”
  • “I hope you will go out and let stories, that is life, happen to you, and that you will work with these stories from your life– not someone else’s life–water them with your blood and tears and your laughter till they bloom, till you yourself burst into bloom. That is the work. The only work.”
  • “Be wild; that is how to clear the river. The river does not flow in, polluted, we manage that. The river does not dry up, we block it. If we want to allow it its freedom, we have to allow our ideational lives to be let loose, to stream, letting anything come, initially censoring nothing. That is creative life.”
  • “All the ‘not readies,’ all the ”I need time,’ are understandable, but only for a short while. The truth is that there is never a ‘completely ready,’ there is never a really ‘right time.” Clarissa Pinkola Estés, Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype

Crystal returned to Greenboro, North Carolina, and in 2010 she formed her band, Crystal Bright and The Silver Hands. She named her band after a fairy tale by The Brothers Grimm, called ‘The Handless Maiden’. Crystal Bright said, “it is about her losing her hands and gaining them back in the end, representing her coming into her full creative and soulful self which I felt like I was doing then, and am still doing.” Crystal adds, ” I had written these songs and I needed help in creating a band and taking my music to the next level. The Silver Hands helped me create something bigger than my own hands could.”

A multi-instrumentalist in the truest sense, Crystal performs with a vast assortment of ethnic and exotic instruments, including a musical saw. She has shown that she can captivate an audience with her vocal ability and style, described as operatic and ethereal. Crystal utilizes the piano accordion; taps into and takes full advantage of the edgy, noir quality that the instrument can evoke, to effectively convey a sense of mystery,  and of darkness and light.

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Crystal Bright

Since forming her band, Crystal Bright has performed with the North Carolina Symphony, winning their Triangle Talent Search. She has earned awards for her singing performance and musicianship, songwriting, best music video ,”Drowned Out”, as well as international recognition. In 2010, the Broach Theatre in Greensboro, N.C. featured Crystal Bright’s musical theatre production, “Illuminating and Transcending the Shadow”, which she wrote, produced and directed, and in which she starred. It featured her band, The Silver Hands and a cast of sixteen costumed actors.

As a performance artist, Crystal acted, sang and performed with musical instruments, collaborating with mixed media sculptor, Grey Pascal in “20/20: Filters of Light and Insight”(2010) “Downward Spiral” (2011). Crystal Bright also co-produced and starred in her musical concert, “Bones and Lilies” along with members of the Flowjo Family Circus. Two performances featured acrobatics, interpretive dance and circus arts. The events took place at The Flowjo (2012) in Carrboro, North Carolina. A visual album by Crystal Bright and The Silver Hands, “The Absolute Elsewhere”, was performed at the Carrboro Arts Center (2014) and received positive reviews. Most recently, Crystal Bright and The Silver Hands performed an original, live score to the classic silent movie, The Cabinet of Dr. Caligari (2015 & 2016)

With her highly intuitive determination, Crystal takes her audience along the enchanting path that she has chosen to fashion. The direction that she will take is only beginning to unfold as Crystal Bright continues to evolve as a brilliant star

Permanent members Crystal Bright and The Silver Hands
Crystal BrightVocals, accordion, keyboards, concertina, adungu, bombo, zheng, piano, guitar, vihuela and musical saw

Current rotating members:
Aaron Bond – Double bass
Sanders Davis – Double bass
Jeremy Denman – Trumpet
Jeremy Haire – Acoustic guitars
Robbie Link – Double bass
Seth Oldham – Drums
Bradley Spencer – Mandolin

Crystal Bright and The Silver Hands has performed at over 500 concerts including:
South By Southwest
Savannah Stopover
FloydFest
DragonCon
Midpoint Music Fest
The Steampunk World’s Fair,
Shakori Hills

Releases:

June 2010: Crystal Bright & the Silver Hands

March 2012: Muses & Bones

April 2013: Live on All Hallows’ Evening’

May 2015: The Absolute Elsewhere 

 

Crystal Bright II

http://www.crystalbrightandthesilverhands.com


Josh Kaufman, The Blasting Company

Petrojvic Blasting Company

The Petrojvic Blasting Company

By Christa T. for Accordion Americana It’s not a stretch to call the Petrojvic Blasting Company an Americana band. While strong inflections rich in Eastern European folk tradition are identifiable, their music possesses a ‘here and now’ sensibility, drawn from genres rooted in North America. It is music that is original in style, and combines a consistent jazz groove with an infectious exuberance that propels it forward, like a funeral band blasting through the streets of New Orleans returning from ‘setting the body free’. The effect that The Blasting Company has on their audience is evident. With an electricity rarely felt, even in live performance, it is the very definition of ‘good time music’ and it is entertainment at its best.

Josh Kaufman, along with his brother, Justin, grew up in the greater Nashville, Tennessee area and as teenagers, regularly busked on the city’s street corners. It was through this process that their live performance edge was honed.  In the classroom of the street corner, the multi-instrumentalists earned their passing or failing grades and could always count on making some money at the same time.  It was there that they formed their first band, Albania Mania, and after relocating to East Los Angeles, founded the California Feetwarmers Jazz Band.  Although now involved with many other successful projects, The Blasting Company persists as a live act performing in diverse settings such as open air farmers markets, art walks as well as gigs at night spots throughout Los Angeles.

Since arriving in Los Angeles only a few years ago, the brothers have continuously worked to establish a group of musicians with similar musical sensibilities. Usually, the Blasting Company consists of Josh on the accordion, two trumpets, a trombone, played by Justin, drums and sousaphone. A kind of “super-drum” is played by Corey Beers, percussionist for the Blasting Company, to which he added pieces. In addition to the drum, it consists of a rope, a cowbell and a washboard giving their music a dramatic dimension.

The Petrojvic Blasting Company participated in a collaboration between the Library Foundation of Los Angles, the Los Angeles Public Library and University of Southern California Professor Josh Kun, called Songs in the Key of L. A. The intention of the ambitious  effort was  to repurpose sheet music pieces from the 1840’s through the 1950’s stored in the Library’s archives, known as the Southern California Sheet Music Collection. The goal of the project was not only to preserve the collection, but to bring it back to life and create “a singular portrait of Los Angeles history and culture rendered in music and visual art.” Along with other artists, The Petrojvic Blasting Company was invited to pick some sheet music, study it, and then interpret it in any style of their choosing. The finished products are available for free download from the website of the Los Angeles Public Library.

Josh, his brother Justin and The Blasting Company, composed the entire score and performed all of the music for Cartoon Network’s Over The Garden Wall. It is an American animated television miniseries created by Patrick McHale for the Cartoon Network that features two brothers who travel through a strange forest in order to find their way home. The show is based on McHale’s animated short film, Tome of the Unknown, which was produced as part of Cartoon Network Studios’ shorts development program. The miniseries, Over the Garden Wall was awarded an Emmy in 2015 for Outstanding Animated Program.

The Petrojvic Blasting Company also participated, along with its mastermind, Accordionist Jason Webley, in the Monsters of the Accordion Tour, a West Coast event.

Whatever musical direction the Petrojvic Blasting Company  has taken since Josh and Justin busked on the streets of Nashville, the accordion has been present and central to their performance. Talented and savvy, they will, without a doubt, continue to create and find success in the strange land of music and film. But, these wandering brothers, like those in Over the Garden Wall, are forever seeking, trying to find their way home.

http://www.theblastingcompany.com