Christa T. for Accordion Americana Ponty Bone always knew he was different. “…I always thought of myself as some sort of artist…a character in a novel, all my life…I knew something was up.” Harry DePonta Bone, or “PB” to his friends, started playing the accordion when he was five years old, but dropped it several years later to study the trumpet. Little did he know that one day, he would come back to that first instrument and in time, become an institution in the heart of the West Texas music scene and internationally recognized as an Americana accordionist.
Ponty Bone was born and grew up in San Antonio. Because musicians lives are never easy, Ponty decided to do the wise thing and go to college at Texas Tech in Lubbock. Soon, he found himself with a wife, twin daughters and a job as a surveyor and draftsman living in Arizona, just trying to make ends meet. But, he wanted more. Mostly, he wanted to be back in Texas working as a musician. Looking for any excuse, Ponty and his family always headed back in the direction of Texas. In the late sixties, while living in Phoenix, Ponty and his wife, Sarah started their first band, New Moan Hey and began playing gigs in Texas, beginning with The Vulcan Gas Company in Austin. Sarah, it has been noted, was a pretty good singer. But, for whatever reason, their marriage ended in 1976.
For Ponty, from the first band began long associations, performing and recording, with some of the best musicians in the music business, from Austin to L.A. It’s hard not to talk about Ponty’s career without mentioning Lubbock, Texas because Ponty Bone has been so closely associated with the town and its music scene since the early 1970’s. He explains, “”Lubbock’s always been a lucrative market. A lot of great bands came out of Lubbock. And a lot of great bands came to Lubbock. A lot of ‘em were there because of, something a little bit more on the intellectual side of the equation. Like being in a band, or going to Texas Tech, or having some kind of a connection with the arts…”
But, Lubbock is more than your average college town. From the city’s night clubs emanated some of the grittiest and most visceral music ever produced in America. Key hot spots were the “Thunderbird Lounge”, the “Cotton Club” and “Stubb’s Bar-B-‘Que”. “Stubb’s” is on the city’s Eastside and at that time, was exclusively an African American night club. A guitarist changed that and put the club on the map. His name was Jesse Taylor, with whom Ponty Bone collaborated, from the time Jesse was a hard rocking, tattooed, self taught sixteen year old white kid who lived not far from “Stubb’s”. This association lasted until Jesse Taylor’s untimely death at age 55 in 2006. Both Jesse and Ponty eventually became members, touring internationally with The Joe Ely Band.
Joe Ely, a Lubbock born musician and band leader of international renown, is a pivitol figure in the life of Ponty Bone. Both met in the clubs in Lubbock and came to know each other well as musicians, and they knew everyone that played in and around the area. One day, as Ponty describes, “Joe Ely drives up on his bicycle. He says, ‘Hey, Ponty. It looks like MCA is gonna do my first album. Listen, we’re getting together tonight over at my house on 9th Street; Man, get your accordion and come over there and jam with us! I got some songs I want you to play on the album.'” It was a fortuitous conversation that led Ponty to tour, perform and record with the Joe Ely Band for seven years prior to forming his own group, The Squeezetones which has been in existence for the past two decades.
Ponty Bone performs with Joel Guzman At Squeezebox Mania 2009:
Ponty Bone shows off his own brand of great musicianship on the accordion playing the blues.
Throughout his career and residency in Lubbock, as well as in Phoenix and Austin, wherever he has performed, domestically or internationally, PB has delighted and entertained and has always been in the best of musical company. He is hailed as an outstanding musician and revered as one of the most interesting and charismatic performers. It’s that personality that makes one “different”.
Tragically, Ponty Bone was diagnosed in 2015 with a neurodegenerative disease called Progressive Supranuclear Palsy or PSP. It is a brain disease of no known origin and it is eventually fatal. PSP impairs all movement, balance, vision, speech and swallowing, yet it allows the victim to remain conscious and aware, with all mental capacity and personality intact. In a nutshell, it means one is a prisoner within one’s own body, left with no means of communication or expression.
His daughter Leah, writes, “Knowing PB, what he would appreciate… is to see the support and encouragement from you all through notes…. emails to him, letters or photos in the mail, or even better, visits, if you’re here in Central Texas. Again, even though he won’t be able to fully reciprocate, rest assured that the way our Dad lights up, in his own way, when he sees old friends or receives an email from an old fan, is something that speaks far louder than words ever could. If you need help reaching Ponty via email, mail or in person, please contact us.
P.O. Box 163421
Austin, Texas 78716 U.S.A.
PHONE: (512) 443-7952
All quotes from:
Fire in the Water, Earth in the Air: Legends of West Texas Music
by Christopher Oglesby
Published by the University of Texas Press
Thank you to Debra Peters for her input regarding this article
Bio courtesy of jeremiahmclane.com Jeremiah was raised in a family with deep ties to both its Scottish heritage and its New Hampshire roots. Traditional New England music and dance were a part of his parents and grandparents generations. After an early formation in classical piano, Jeremiah spent his teenage years playing blues and jazz. Following undergraduate studies with jazz legend Gary Peacock, he studied Indonesian Gamelan, West African drumming, and the music of minimalist composers Steve Reich and Philip Glass. It wasn’t until his mid twenties that Jeremiah began to immerse himself in the world of traditional Celtic and French music, studying accordion with Jimmy Keene and Frederic Paris. He then spent several decades traveling in Europe, doing field research that laid the groundwork for a Master’s degree he received many years later from the New England Conservatory.
In the early 1990s Jeremiah formed two bands: The Clayfoot Strutters and Nightingale. Both bands had strong traditional New England roots and had a deep and lasting impact on the traditional dance scene in New England. In 2003 he formed Le Bon Vent, a sextet specializing in Breton and French music, and as an outgrowth of this ensemble, has formed several duos with individual members including James Falzone, Ruthie Dornfeld and Cristi Catt. Since the early 1990s, Jeremiah has recorded over a dozen CDs with Nightingale, the Clayfoot Strutters, Bob & the Trubadors, Le Bon Vent, with Ruthie Dornfeld. His second solo recording, Smile When You’re Ready, was nominated by National Public Radio in their “favorite picks”, and his fifth release, Hummingbird, with Ruthie Dornfeld, received the French music magazine “Trad Mag” Bravo award, as did his CD Goodnight Marc Chagall with Le Bon Vent. He has composed music for theater and film, including Sam Shepard’s “A Lie Of The Mind”, and been awarded the Ontario Center For The Performing Arts “Meet The Composer” Award, and the Vermont Council On The Arts “Creation Of New Work” grant.
In 2005 Jeremiah started the Floating Bridge Music School, which is devoted to teaching traditional music from the British Isles, Northern Europe, and North America. An adjunct instructor at the State University of New York in Plattsburgh, NY, he also teaches at the Summit School of Traditional Music in Montpelier, VT, at the Upper Valley Music Center in Lebanon NH, and at many summer music camps including Ashokan Fiddle & Dance, Augusta Heritage Arts Center, American Festival of Fiddle Tunes, and the Maine Fiddle Camp.
Interview with Jeremiah McLane onWCAX Tv:
By Christa T. for Accordion Americana Sad news was received about Buckwheat Zydeco. He passed away on September 24, 2016 from cancer. Stanley Dural, also known as Buckwheat Zydeco, will be greatly missed. To mark his passing, I am running the following article that I previously posted on this site, September 2015. Rest in peace.
As a young child growing up in Lafayette, Louisiana, Stanley Dural, Jr. was said to look like the Little Rascal’s character “Buckwheat” in the Our Gang comedy series filmed during the 1930’s. This whimsical image was to stick with him his entire life as a professional musician. Drawing from his musical roots, the artist who became known as Buckwheat Zydeco,has shown that he is not afraid to move forward and reach beyond the Zydeco traditions to become a legend in American music.
Zydeco music evolved from the French speaking musicians who played at house dances who blended blues, rhythm and blues and the music of the indigenous people of southwest Louisiana. Stanley did not start out as a Zydeco artist, but he continuously worked as an organist from the late 1950’s throughout the 1960’s and well into the 1970’s. Dural concentrated on rhythm and blues, backing well known acts such as Joe Tex, Clarence “Gatemouth” Brown, among many others. As a mature musician in 1976, he agreed to be hired as a backing organist for Zydeco pioneer, Accordionist Clifton Chenier and his Louisiana Red Hot Band. It was the turning point in his career because it was through this professional relationship that Dural came to be, like Chenier, proficient on the piano-accordion. Stanley Dural, Jr. then recast himself as a Zydeco musician and formed his own band, Buckwheat Zydeco and debuted with One for the Road in 1979. Since then, Dural and his band have become one of the most renowned Blues and Zydeco acts. Buckwheat Zydeco is distinguished as being among the few Zydeco artists to find mainstream success in the music industry and he is the only accordionist of any genre to ever reach that level of recognition in recent times in America.
Throughout three decades, Buckwheat Zydeco has performed and toured extensively around the world. They have also performed at the 1996 Summer Olympics closing ceremonies, and for both of President Clinton’s inaugurations. Buckwheat Zydeco has performed and recorded with major names in the business such as Eric Clapton, Bono and U2, The Boston Pops Orchestra, Paul Simon, Keith Richards, Robert Plant, Willie Nelson, Mavis Staples, Ry Cooder and Los Lobos. The band has also appeared on television numerous times and was chosen by Jimmy Fallon for his final show, Late Night with Jimmy Fallon. They have appeared on Late Night with David Letterman, The Today Show, MTV, BET, CNN and have been featured on news programs on NBC, CBS and National Public Radio. Buckwheat Zydeco has appeared numerous times at the New Orleans Jazz and Heritage Festival, as well as the Chicago Blues Festival, the Newport Folk Festival, the Montreux Jazz Festival and countless major music festivals and venues across America.
Nominated several times for the Grammy Award, Buckwheat Zydeco won for ‘Best Zydeco or Cajun Album” for Lay Your Burden Down in 2010. They also received an Emmy for music performed in the CBS television movie Pistol Pete: The Life and Times of Pete Maravich. The music of Buckwheat Zydeco has been featured in the movies, The Waterboy, Fletch Lives, Hard Target, Ya La Tengo and Bob Dylan’s I’m Not There. The band also made an appearance and performed in The Big Easy, a movie that is credited with revitalizing Zydeco and Cajun music in America. Buckwheat Zydeco’s version of the classic “Cryin’ in the Streets” is featured on the album for Hurricane Katrina, Our New Orleans: A Benefit Album for the Gulf Coast.
Because of his commitment to promoting Louisiana cuisine, Dural wrote and performed the theme music for the PBS television series, Pierre Franey’s Cooking in America. Out of that interest, in 2014, Dural and his long time manager and collaborator, Ted Fox, premiered the You Tube documentary series “Buckwheat’s World”. The online show focuses on the music and colorful lifestyle of the artist, Stanley Dural, Jr. who became known as Buckwheat Zydeco. Dural and Fox have shown their skill as writers and commentarians by becoming bloggers for The Huffington Post in 2014, with their first post, “Mardi Gras Is The Flip Side of the Blues”.
Photo by Jay Hudson
By Christa T. for Accordion Americana Austin, Texas is home to one of the most diverse musical landscapes in the United States. The accordion has always had a role in the local music scene from the advent of the town’s German Beer Halls in the 1800’s, through the evolution of Tex-Mex music. Because of this presence, the accordion is alive and well represented in Texas music, today.
One of the most popular and respected Texas accordionists is Debra Peters. For the last 24 years, she has consistently performed in Austin and all around Texas with her band, Debra Peters and The Love Saints Band. Debra is a career singer, songwriter, accordionist, pianist and session musician. Also, well-known in Austin as a teacher of the accordion, she is an entrepreneur, producing and marketing her own music recordings and accordion educational videos.
Women musicians who have their own bands are rare. But, a woman musician with the professional longevity that Debra Peters has shown, are all the more rare. Monthly, for the last 2 decades, Debra Peters has appeared at the legendary Broken Spoke in Austin. Also, throughout that time, Debra and her band have toured Europe, Japan, Mexico, North America and Hawaii. Debra Peters and The Love Saints Band were featured at the International Accordion Festival held in San Antonio, Texas. They are scheduled to appear at the upcoming 2016 Texas Folk Life Festival in Austin. This marks the 32nd anniversary for Texas FolkLife, which was started in 1984. The festival presents and honors the diverse cultures and living heritage of the Lone Star State. Tex-Mex and Zydeco/Cajun music are represented in The Love Saint’s Band’s repertoire along with Americana, polkas and other dance music. The daughter of a Canadian railroad engineer, Debra enjoys performing a selection of railroad songs, as well.
As an accordion educator, Debra has presented workshops every year for the past 12 years. ” I am a lifelong music student as well as a lifelong music teacher. Around every corner, there is always something more and great to learn!” Her vision of producing and marketing her own accordion educational videos came out of a workshop held in Las Vegas. Upon viewing an accordion lesson video done by another accordionist, Debra remembered that, as a child, she was introduced to the piano by a lesson video on VCR. At that moment, she determined that she would create her own lesson videos. “It was almost like I was stung by a bee!” Immediately, she went to work to produce an educational video and, in 2005 created The Blues, Chords and Chops. The reaction from her students was positive and in 2007, Debra created The Blues ,Chords and Chops, Volume II. Since then, she has produced and marketed other video accordion lessons, including one that focuses on bass patterns for the Stradella bass keyboard, 25 Bass Patterns. It was a lot of work for the already busy musician to “write and present the lessons, film and edit them, design the covers, produce the actual copies, set up the mail system, build a website, and do the marketing.” She persevered, and today sales from her web site are healthy and she has plans for more lesson videos.
Her enthusiasm for the accordion and her passion for people is evident. Debra strives to encourage others to play the accordion, especially girls and other women. A hardworking professional musician, Debra Peters is inspired, not only to entertain, but to empower others who seek to become skillful accordionists locally and in places far away from her Austin, Texas home. Update: Debra Peters and The Love Saints Band have been invited to participate August 20-21, 2016 at the Cotati Accordion Festival, Cotati California.
Love Saints Music, Austin Texas USA