Posted: January 7, 2017 Filed under: Next Wave | Tags: accordion, accordion americana, american, americana, band, blues, Corey Ledet, French, Houston, keys, New Orleans, pop, professional, scene, standing on faith, Texas, usa, zydeco, Zydeco Band
COREY LEDET KICKS UP HIS GAME WITH “STANDING ON FAITH”
Parks, LA — CPL Records proudly announces the release of Grammy-nominated Zydeco innovator, singer/songwriter/accordion player COREY LEDET & HIS ZYDECO BAND’s “STANDING ON FAITH” (his ninth album) on MARCH 3, 2017. “STANDING ON FAITH” was co-produced by Cecil Green and Jesse Delgizzi and recorded at the Green Room in Ville Platte, LA. Joining Ledet (Accordions/Drums/Vocals/Washboard) in the studio were Delgizzi (Guitar/Bass/Moog/Vocals) and Green (Keyboards).
Ledet injects pop, funk, rhythm-and-blues and reggae on “STANDING ON FAITH”. In doing so, he continues to work from the genre-splicing template set by such zydeco pioneers as Clifton Chenier and Stanley “Buckwheat” Dural. After opening with the funky, Prince-like “Intro,” “STANDING ON FAITH,” continues with the upbeat zydeco-pop instrumental, “Love Never Felt So Good”; stays positive with the album’s zydeco-pop title song; glides to breezy R&B balladry for “Take Me There”; plots a reggae course with the sunny “A Good Day”; and slips into the sleek, contemporary R&B of “Street Light.”
“I don’t like to stick with something that’s easy, or just the way it’s supposed to be,” Ledet says. “I like to explore and experiment. That makes music fun. It’s like cooking. When you’re cooking a recipe, you say, let me try this with that, let me see if this works.”
During most of his 14 years as a band leader, Ledet based his repertoire on the foundation set by Clifton Chenier and other zydeco pioneers. But now he’s moving beyond the zydeco classics. “I can do that all night long,” Ledet says. “But I can do other things as well. Traditional zydeco, nontraditional, pop. I can go any which way I want. This is my way of creating a sound that fits me.”
Blending styles is challenging for Ledet, but he likes the challenge. But before he became a music mixologist, he learned the zydeco basics. “I did all the studying and research I could do,” he says. ‘It took a long time. There’s a lot to learn about zydeco and Creole music. But it’s important to know your background before you learn anything else. After I finished studying all of that, I learned other stuff that interested me. Pop music, classical music. I even listened to Frank Sinatra. People laughed at me, but I listened to anything that’s got notes.”
On the bandstand, Ledet mixes songs originally recorded by pop and country artists into his show: Bruno Mars, Prince, Michael Jackson, Jason Aldean, Darius Rucker, reggae fountainhead Bob Marley. Again, Chenier served as a model. “He mixed the old French music with rhythm-and-blues,” Ledet says. ”Ray Charles and Etta James and Louis Jordan were of Clifton’s time. That worked for him. I’m applying Cliff’s recipe to modern-day times, my way.”
At 35, Ledet brings 25 years of bandstand experience to the stage. He turned pro at 10, playing drums in his native Houston for Wilbert Thibodeaux and the Zydeco Rascals. Ledet came naturally to the drums, his first instrument. His late grandfather, Buchanan ‘Tbu’ Ledet, worked as drummer for Clifton Chenier. Although Ledet’s grandfather died in 1978, three years before his birth, the grandson idolizes his grandfather. Chenier’s longtime drummer, Robert Peter, followed the drumming example Ledet’s grandfather set in 1940s and ’50s. “Cliff wanted a drummer who played like my grandfather,” Ledet says. “When you hear Robert, that’s my grandfather’s style.”
For Ledet, working with Thibodeaux and the Zydeco Rascals was like going to zydeco school. The lessons included such essential subjects as keeping the beat and, something less definable, reading audiences. “And whenever other drummers came in the venue, Wilbert called them up to the drums and let me play accordion,” Ledet remembers.
During his decade with Thibodeaux, Ledet organized some gigs on the side for himself as a front man. He officially launched his own band in 2003, after moving to his father’s hometown, Parks, Louisiana. Many people ask Ledet why he left Houston for Parks, a town that has hundreds, rather than millions, of residents. Ledet already knew Parks well. When he was growing up in Houston, his family visited Parks during summers and for holidays and special occasions. “It was hard to leave to go back to Houston,” he remembers. “I like the city, but I like the country better. Some kind of spiritual connection.” On those family drives from Houston to Parks, the family tuned to a zydeco radio as soon as they got close enough to receive the signal. Once they reached Parks, the zydeco music never stopped. “I like all music,” Ledet says. “But zydeco is the first pick for music for me.”
Ledet paid his dues after he launched his career as a band leader from Parks. “I had to build everything from nothing, make my name, make my rounds, prove myself,” he says. “Playing to chairs and tables, paying my band members 10 bucks or five bucks for the night. For a long time, I didn’t make anything.” Ledet persevered, building his music career from the muddy southwest Louisiana ground up. Highlights include his 2013 Grammy nomination for “Nothin’ But the Best,” a collaboration with fellow zydeco musicians Anthony Dopsie, Dwayne Dopsie and André Thierry. “Oh, man, when that happened, I was like, ‘Is this for real?’ Because never in a million years did I think I’d be sitting in the same row at Grammys with Taylor Swift. To come from ground zero to that, lets me know I’m doing something right. I’m kicking up my game by making records like ‘Standing On Faith.’ I want to go even further and do bigger and better things.”
Corey Ledet keeps one foot firmly in the tradition while exploring surrounding influences in order to create the best of both worlds, and is able to infuse old and new styles of Zydeco into his own unique sound. “STANDING ON FAITH” presents the best view yet of the Grammy-nominated Ledet’s expansive talent. Corey Ledet has recently signed an exclusive representation deal with Mitchell & Matt Greenhill’s FLi Artists: fliartists.com/corey-ledet-zydeco-band.
Catch COREY LEDET & HIS ZYDECO BAND (Corey Ledet – Accordion/Vocals, Jesse DeGizzi – Bass/Vocals, Julian Primeaux – Guitar/Vocals, Gerard Delafose – Drums, Statton Doyle – Sax and Nicholas Victorian – Washboard) on tour Spring 2017 in support of his new release.
UPCOMING TOURDATES INCLUDE:
May 5, 2017 Breaux Bridge, LA “Crawfish Festival”
May 25, 2017 Shreveport, LA “Mudbug Madness”
CONTACT: Karen Leipziger/KL Productions
Posted: September 24, 2016 Filed under: Game Changers | Tags: accordion, accordion american, accordion americana, americana, blues, Buckwheat Zydeco, cajun, Louisiana, New Orleans, Stanley dural, zydeco
By Christa T. for Accordion Americana Sad news was received about Buckwheat Zydeco. He passed away on September 24, 2016 from cancer. Stanley Dural, also known as Buckwheat Zydeco, will be greatly missed. To mark his passing, I am running the following article that I previously posted on this site, September 2015. Rest in peace.
As a young child growing up in Lafayette, Louisiana, Stanley Dural, Jr. was said to look like the Little Rascal’s character “Buckwheat” in the Our Gang comedy series filmed during the 1930’s. This whimsical image was to stick with him his entire life as a professional musician. Drawing from his musical roots, the artist who became known as Buckwheat Zydeco,has shown that he is not afraid to move forward and reach beyond the Zydeco traditions to become a legend in American music.
Zydeco music evolved from the French speaking musicians who played at house dances who blended blues, rhythm and blues and the music of the indigenous people of southwest Louisiana. Stanley did not start out as a Zydeco artist, but he continuously worked as an organist from the late 1950’s throughout the 1960’s and well into the 1970’s. Dural concentrated on rhythm and blues, backing well known acts such as Joe Tex, Clarence “Gatemouth” Brown, among many others. As a mature musician in 1976, he agreed to be hired as a backing organist for Zydeco pioneer, Accordionist Clifton Chenier and his Louisiana Red Hot Band. It was the turning point in his career because it was through this professional relationship that Dural came to be, like Chenier, proficient on the piano-accordion. Stanley Dural, Jr. then recast himself as a Zydeco musician and formed his own band, Buckwheat Zydeco and debuted with One for the Road in 1979. Since then, Dural and his band have become one of the most renowned Blues and Zydeco acts. Buckwheat Zydeco is distinguished as being among the few Zydeco artists to find mainstream success in the music industry and he is the only accordionist of any genre to ever reach that level of recognition in recent times in America.
Throughout three decades, Buckwheat Zydeco has performed and toured extensively around the world. They have also performed at the 1996 Summer Olympics closing ceremonies, and for both of President Clinton’s inaugurations. Buckwheat Zydeco has performed and recorded with major names in the business such as Eric Clapton, Bono and U2, The Boston Pops Orchestra, Paul Simon, Keith Richards, Robert Plant, Willie Nelson, Mavis Staples, Ry Cooder and Los Lobos. The band has also appeared on television numerous times and was chosen by Jimmy Fallon for his final show, Late Night with Jimmy Fallon. They have appeared on Late Night with David Letterman, The Today Show, MTV, BET, CNN and have been featured on news programs on NBC, CBS and National Public Radio. Buckwheat Zydeco has appeared numerous times at the New Orleans Jazz and Heritage Festival, as well as the Chicago Blues Festival, the Newport Folk Festival, the Montreux Jazz Festival and countless major music festivals and venues across America.
Nominated several times for the Grammy Award, Buckwheat Zydeco won for ‘Best Zydeco or Cajun Album” for Lay Your Burden Down in 2010. They also received an Emmy for music performed in the CBS television movie Pistol Pete: The Life and Times of Pete Maravich. The music of Buckwheat Zydeco has been featured in the movies, The Waterboy, Fletch Lives, Hard Target, Ya La Tengo and Bob Dylan’s I’m Not There. The band also made an appearance and performed in The Big Easy, a movie that is credited with revitalizing Zydeco and Cajun music in America. Buckwheat Zydeco’s version of the classic “Cryin’ in the Streets” is featured on the album for Hurricane Katrina, Our New Orleans: A Benefit Album for the Gulf Coast.
Because of his commitment to promoting Louisiana cuisine, Dural wrote and performed the theme music for the PBS television series, Pierre Franey’s Cooking in America. Out of that interest, in 2014, Dural and his long time manager and collaborator, Ted Fox, premiered the You Tube documentary series “Buckwheat’s World”. The online show focuses on the music and colorful lifestyle of the artist, Stanley Dural, Jr. who became known as Buckwheat Zydeco. Dural and Fox have shown their skill as writers and commentarians by becoming bloggers for The Huffington Post in 2014, with their first post, “Mardi Gras Is The Flip Side of the Blues”.
Posted: August 13, 2016 Filed under: Luminaries | Tags: accordion, accordion american, american, americana, austin, cajun, Canadian, cowboy, Debra Peters, Folk life, Love Saints, polka, tex mex, Texas, train songs, zydeco
Photo by Jay Hudson
By Christa T. for Accordion Americana Austin, Texas is home to one of the most diverse musical landscapes in the United States. The accordion has always had a role in the local music scene from the advent of the town’s German Beer Halls in the 1800’s, through the evolution of Tex-Mex music. Because of this presence, the accordion is alive and well represented in Texas music, today.
One of the most popular and respected Texas accordionists is Debra Peters. For the last 24 years, she has consistently performed in Austin and all around Texas with her band, Debra Peters and The Love Saints Band. Debra is a career singer, songwriter, accordionist, pianist and session musician. Also, well-known in Austin as a teacher of the accordion, she is an entrepreneur, producing and marketing her own music recordings and accordion educational videos.
Women musicians who have their own bands are rare. But, a woman musician with the professional longevity that Debra Peters has shown, are all the more rare. Monthly, for the last 2 decades, Debra Peters has appeared at the legendary Broken Spoke in Austin. Also, throughout that time, Debra and her band have toured Europe, Japan, Mexico, North America and Hawaii. Debra Peters and The Love Saints Band were featured at the International Accordion Festival held in San Antonio, Texas. They are scheduled to appear at the upcoming 2016 Texas Folk Life Festival in Austin. This marks the 32nd anniversary for Texas FolkLife, which was started in 1984. The festival presents and honors the diverse cultures and living heritage of the Lone Star State. Tex-Mex and Zydeco/Cajun music are represented in The Love Saint’s Band’s repertoire along with Americana, polkas and other dance music. The daughter of a Canadian railroad engineer, Debra enjoys performing a selection of railroad songs, as well.
As an accordion educator, Debra has presented workshops every year for the past 12 years. ” I am a lifelong music student as well as a lifelong music teacher. Around every corner, there is always something more and great to learn!” Her vision of producing and marketing her own accordion educational videos came out of a workshop held in Las Vegas. Upon viewing an accordion lesson video done by another accordionist, Debra remembered that, as a child, she was introduced to the piano by a lesson video on VCR. At that moment, she determined that she would create her own lesson videos. “It was almost like I was stung by a bee!” Immediately, she went to work to produce an educational video and, in 2005 created The Blues, Chords and Chops. The reaction from her students was positive and in 2007, Debra created The Blues ,Chords and Chops, Volume II. Since then, she has produced and marketed other video accordion lessons, including one that focuses on bass patterns for the Stradella bass keyboard, 25 Bass Patterns. It was a lot of work for the already busy musician to “write and present the lessons, film and edit them, design the covers, produce the actual copies, set up the mail system, build a website, and do the marketing.” She persevered, and today sales from her web site are healthy and she has plans for more lesson videos.
Her enthusiasm for the accordion and her passion for people is evident. Debra strives to encourage others to play the accordion, especially girls and other women. A hardworking professional musician, Debra Peters is inspired, not only to entertain, but to empower others who seek to become skillful accordionists locally and in places far away from her Austin, Texas home. Update: Debra Peters and The Love Saints Band have been invited to participate August 20-21, 2016 at the Cotati Accordion Festival, Cotati California.
Love Saints Music, Austin Texas USA
Posted: July 22, 2016 Filed under: Luminaries | Tags: accordion, accordion american, american, americana, blues, bluesbreakers, Chenier, history, keys, Louisiana, mayall, rhythm and blues, zydeco
John Mayall had no goal other than “to make a normal blues album” , which is what the veteran artist and bandleader has done over the course of his 51-year recording career. And if you start adding it up, after 50 years, it’s obviously quite a career.” Mayall recorded “A Special Life,” his first release in five years for Forty Below Records, during a three-day session with his band during November at Entourage Studios in North Hollywood. It features four originals — one written by band members Greg Rzab and Rocky Athas — plus covers of songs by Jimmy Rogers, Albert King, Sonny Landreth and others. Mayall’s band is also bolstered by accordionist C.J. Chenier on several tracks, including a version of his father Clifton Chenier’s “Why Did You Go Last Night” that kicks off the album. “That was one of the songs I’ve always had a fondness for,” Mayall says. “In fact, we used to play it when Jack Bruce was in the band, so it goes that far back, and it’s far less Zydeco than straightahead blues. I thought it was a perfect time to approach C.J.; his father wrote and sang the song originally, and he was available, so I just contacted him. I hadn’t met him before, but he flew in for the day and we nailed it. It was a really great experience.”
C.J. Chenier grew up in the 1960s, in the housing projects of his native Port Arthur, Texas, where he was aware of, but not exposed to his father’s music as a young child.
Upon first listening to his father’s music, Chenier thought all the songs sounded the same. But he eventually began to appreciate and master his style, as he later joined and then took over his father’s band and career. He has since played such venues as the New Orleans Jazz & Heritage Festival, San Diego’s Street Scene and Milwaukee’s Summerfest. Paul Simon first heard Chenier in 1990, and featured him on the The Rhythm of the Saints album, and that year’s ‘Born At The Right Time’ tour. In 1992 Chenier played accordion on “Cajun Song”, a track on the Gin Blossoms‘ album, New Miserable Experience. 1992 saw Chenier featured with the Red Hot Louisiana Band on the PBS music television program Austin City Limits. By October 1994 Chenier was signed by Alligator. His debut release there was Too Much Fun, named the next year as best zydeco album of 1995 by Living Blues magazine. In 1995, Chenier gained his widest audience to date with television appearances on the Jon Stewart Show and CNN. His 1996 appearance at the New Orleans Jazz & Heritage Festival was featured in a segment by the VH1cable music television network, as well as by Entertainment Weekly. Chenier and the band also appeared that year at the Austin, Texas, 1996 SxSW Music Conference, a special event for Alligator Records’ 25th anniversary. Chenier won the 1997 Living Blues’ Critics’ Poll Award and also an AFIM Indie Award for best zydeco album, for his next release, The Big Squeeze. In 2001, Chenier played in front of 60,000 fans at the Chicago Blues Festival.