Posted: January 7, 2017 Filed under: Next Wave | Tags: accordion, accordion americana, american, americana, band, blues, Corey Ledet, French, Houston, keys, New Orleans, pop, professional, scene, standing on faith, Texas, usa, zydeco, Zydeco Band
COREY LEDET KICKS UP HIS GAME WITH “STANDING ON FAITH”
Parks, LA — CPL Records proudly announces the release of Grammy-nominated Zydeco innovator, singer/songwriter/accordion player COREY LEDET & HIS ZYDECO BAND’s “STANDING ON FAITH” (his ninth album) on MARCH 3, 2017. “STANDING ON FAITH” was co-produced by Cecil Green and Jesse Delgizzi and recorded at the Green Room in Ville Platte, LA. Joining Ledet (Accordions/Drums/Vocals/Washboard) in the studio were Delgizzi (Guitar/Bass/Moog/Vocals) and Green (Keyboards).
Ledet injects pop, funk, rhythm-and-blues and reggae on “STANDING ON FAITH”. In doing so, he continues to work from the genre-splicing template set by such zydeco pioneers as Clifton Chenier and Stanley “Buckwheat” Dural. After opening with the funky, Prince-like “Intro,” “STANDING ON FAITH,” continues with the upbeat zydeco-pop instrumental, “Love Never Felt So Good”; stays positive with the album’s zydeco-pop title song; glides to breezy R&B balladry for “Take Me There”; plots a reggae course with the sunny “A Good Day”; and slips into the sleek, contemporary R&B of “Street Light.”
“I don’t like to stick with something that’s easy, or just the way it’s supposed to be,” Ledet says. “I like to explore and experiment. That makes music fun. It’s like cooking. When you’re cooking a recipe, you say, let me try this with that, let me see if this works.”
During most of his 14 years as a band leader, Ledet based his repertoire on the foundation set by Clifton Chenier and other zydeco pioneers. But now he’s moving beyond the zydeco classics. “I can do that all night long,” Ledet says. “But I can do other things as well. Traditional zydeco, nontraditional, pop. I can go any which way I want. This is my way of creating a sound that fits me.”
Blending styles is challenging for Ledet, but he likes the challenge. But before he became a music mixologist, he learned the zydeco basics. “I did all the studying and research I could do,” he says. ‘It took a long time. There’s a lot to learn about zydeco and Creole music. But it’s important to know your background before you learn anything else. After I finished studying all of that, I learned other stuff that interested me. Pop music, classical music. I even listened to Frank Sinatra. People laughed at me, but I listened to anything that’s got notes.”
On the bandstand, Ledet mixes songs originally recorded by pop and country artists into his show: Bruno Mars, Prince, Michael Jackson, Jason Aldean, Darius Rucker, reggae fountainhead Bob Marley. Again, Chenier served as a model. “He mixed the old French music with rhythm-and-blues,” Ledet says. ”Ray Charles and Etta James and Louis Jordan were of Clifton’s time. That worked for him. I’m applying Cliff’s recipe to modern-day times, my way.”
At 35, Ledet brings 25 years of bandstand experience to the stage. He turned pro at 10, playing drums in his native Houston for Wilbert Thibodeaux and the Zydeco Rascals. Ledet came naturally to the drums, his first instrument. His late grandfather, Buchanan ‘Tbu’ Ledet, worked as drummer for Clifton Chenier. Although Ledet’s grandfather died in 1978, three years before his birth, the grandson idolizes his grandfather. Chenier’s longtime drummer, Robert Peter, followed the drumming example Ledet’s grandfather set in 1940s and ’50s. “Cliff wanted a drummer who played like my grandfather,” Ledet says. “When you hear Robert, that’s my grandfather’s style.”
For Ledet, working with Thibodeaux and the Zydeco Rascals was like going to zydeco school. The lessons included such essential subjects as keeping the beat and, something less definable, reading audiences. “And whenever other drummers came in the venue, Wilbert called them up to the drums and let me play accordion,” Ledet remembers.
During his decade with Thibodeaux, Ledet organized some gigs on the side for himself as a front man. He officially launched his own band in 2003, after moving to his father’s hometown, Parks, Louisiana. Many people ask Ledet why he left Houston for Parks, a town that has hundreds, rather than millions, of residents. Ledet already knew Parks well. When he was growing up in Houston, his family visited Parks during summers and for holidays and special occasions. “It was hard to leave to go back to Houston,” he remembers. “I like the city, but I like the country better. Some kind of spiritual connection.” On those family drives from Houston to Parks, the family tuned to a zydeco radio as soon as they got close enough to receive the signal. Once they reached Parks, the zydeco music never stopped. “I like all music,” Ledet says. “But zydeco is the first pick for music for me.”
Ledet paid his dues after he launched his career as a band leader from Parks. “I had to build everything from nothing, make my name, make my rounds, prove myself,” he says. “Playing to chairs and tables, paying my band members 10 bucks or five bucks for the night. For a long time, I didn’t make anything.” Ledet persevered, building his music career from the muddy southwest Louisiana ground up. Highlights include his 2013 Grammy nomination for “Nothin’ But the Best,” a collaboration with fellow zydeco musicians Anthony Dopsie, Dwayne Dopsie and André Thierry. “Oh, man, when that happened, I was like, ‘Is this for real?’ Because never in a million years did I think I’d be sitting in the same row at Grammys with Taylor Swift. To come from ground zero to that, lets me know I’m doing something right. I’m kicking up my game by making records like ‘Standing On Faith.’ I want to go even further and do bigger and better things.”
Corey Ledet keeps one foot firmly in the tradition while exploring surrounding influences in order to create the best of both worlds, and is able to infuse old and new styles of Zydeco into his own unique sound. “STANDING ON FAITH” presents the best view yet of the Grammy-nominated Ledet’s expansive talent. Corey Ledet has recently signed an exclusive representation deal with Mitchell & Matt Greenhill’s FLi Artists: fliartists.com/corey-ledet-zydeco-band.
Catch COREY LEDET & HIS ZYDECO BAND (Corey Ledet – Accordion/Vocals, Jesse DeGizzi – Bass/Vocals, Julian Primeaux – Guitar/Vocals, Gerard Delafose – Drums, Statton Doyle – Sax and Nicholas Victorian – Washboard) on tour Spring 2017 in support of his new release.
UPCOMING TOURDATES INCLUDE:
May 5, 2017 Breaux Bridge, LA “Crawfish Festival”
May 25, 2017 Shreveport, LA “Mudbug Madness”
CONTACT: Karen Leipziger/KL Productions
Posted: May 31, 2016 Filed under: Game Changers | Tags: accordion, accordion american, accordion americana, american, americana, band, Dick Contino, instrument, jazz, keys, music, piano accordion, professional, scene, usa, who's who
I have sad news to share about the great Dick Contino. We are sorry to learn that he has passed away, April 19, 2017. In honor of his memory, I am sending you this post that I wrote previously Rest in peace, Soldier.
By Christa T. for Accordion Americana Memorial Day is a day of remembering and honoring, not only the fallen soldiers, but also those who have served America. Among the ranks of musicians, one of our own, Dick Contino, stands out as a veteran of the Korean War and as a brilliant accordionist and entertainer.
Born in Fresno, California in 1930, Dick Contino was a precocious child with parents dedicated to his success, from the beginning. The Continos (his father was an accomplished accordionist), recognized their son’s talent from an early age and for years, drove him 180 miles each week for accordion lessons in San Francisco. His first break in show business came in 1946, a year before Dick graduated from High School. He won the prestigious Horace Heidt/Philip Morris talent competition in Fresno which was broadcast on national radio.
Dick also won first place in talent contests in Los Angeles, Omaha, Des Moines, Youngstown, Cleveland, Pittsburgh, Harrisburg and New York City. When he graduated from high school in 1947, he enrolled at Fresno State College. Always feeling the pressure of his intense ambition and drive to be a successful entertainer, Dick chose to leave college and dedicate himself to a career as an accordionist. Dick Contino was successful…. very successful. He toured with the Horace Heidt Orchestra and was billed as”The World’s Greatest Accordionist”. Barely out of high school, Contino reported earnings of four thousand dollars per week, an enormous sum for a musician, just before his career was interrupted by military service.
Because he was quite handsome, when he returned from his tour of duty, Dick Contino gained entry into the film industry in Hollywood. He starred in some acting roles, without his accordion. But it was his accordion playing that kept him as a returning star, appearing on the Ed Sullivan Show for a record of forty-eight appearances.
Dick Contino continuex to perform regularly throughout the United States. His repertoire was eclectic, ranging from Italian songs such as “Come Back to Sorrento” and “Arrivederci Roma” to his signature song, “Lady of Spain” and standards like “Swinging on a Star”.
On the accordion, following in the footsteps of his legendary father, is son Pete Contino and his blues band, The Pete Contino Band. Growing up, Pete never aspired to a career in music. But when his Mother passed away (actress Leigh Snowden), he went on the road with his father to learn the music business. It was therapeutic and it kept his mind busy. Through his involvement with his father’s band, he discovered a love for music and for the accordion. Now that he is a professional with his own band, Pete has observed, in an interview with Michael Limnios, “To use an old cliché, (my Dad’s) are very big shoes to fill. His fans are hardcore, and rightfully so. My father made a huge niche with the accordion. The expectations are sometimes high, but I never try to compete with my father’s reputation.” He states, ” A lot of his fans were funny and interesting and very devoted. Sometimes a fan would be uncomfortable to go up to my dad and they would start asking me questions about him. I would finally grab whoever it was and drag them over to meet him. He’s very friendly, my dad, very approachable.”
Posted: January 15, 2016 Filed under: Luminaries | Tags: accordion, accordion american, american, americana, blues, country, folk, jeff taylor, music, nashville, pop, rock, roots, scene, time jumpers, who's who
Professional accordionist and multi-instrumentalist, Jeff Taylor, grew up in Batavia, New York, and began playing accordion and keyboards in his dad’s band when he was 10. He studied classical piano at the Eastman School of Music and was leader of a small jazz/rock group when he was in the Air Force in Ohio. He has lived in Nashville since 1990. Taylor counts among his performing highlights his two years as bandleader at the Ryman auditorium for the musical production Always, Patsy Cline, hundreds of shows as bandleader at Opryland theme park and on the General Jackson showboat, The Skaggs Family Christmas Tour, and many appearances on the Grand Ole Opry, backing numerous artists. He has recorded with Elvis Costello, Paul Simon, Harry Connick Jr., Keith and Kristyn Getty, Amy Grant, George Strait, The Chieftains, Martina McBride, Buddy Greene, Vince Gill and Ricky Skaggs. He was a featured artist on the Ricky Skagg’s and Kentucky Thunder Instrumentals CD that won a Grammy in 2007 for Best Bluegrass Album. Besides excelling on accordion and piano, he also shines on the concertina, penny whistle, mandolin and bouzouki.
Jeff Taylor performs as a member of The Time Jumpers, along with Vince Gill and also some of the best musicians in Nashville. The Time Jumpers are an award winning Western Swing band from Nashville, Tennessee, with two awards from the Association of Western Artists, one from the Western Music Association and two Grammy nominations! This group of Nashville’s studio elite has evolved from casual jam sessions at the Grand Ole Opry to performing on the main stage, and becoming THE Monday night destination in Nashville,.
Their individual recording and performing credits cover virtually the entire history of country music, ranging from Slim Whitman to Carrie Underwood, and their members have recorded extensively with artists in other genres as well, from Barbra Streisand to Megadeth. The Time Jumpers appear, regularily, at The Station Inn, Nashville, Tennessee.
Jeff Taylor, performs on the accordion, along with the great Vince Gill and The Time Jumpers
Jeff Taylor, Accordionist, with the late Dawn Sears at the Station Inn